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Conservation


The Gallery has a small team of trained and experienced paintings and frames conservators who care for the works in the Collection and ensure that they are preserved for future generations to enjoy.

Preventive conservation

An important part of the conservators' work is to monitor and record the condition of the paintings and their frames while on display, in storage, or on loan, and to take measures to prevent future deterioration. Conservation framing ensures that the paintings are suitably fitted in their frames; backboards protect the paintings from damage by accident and from the environment, and where possible paintings are glazed. The environment can have an important effect on the condition of works of art, and light, temperature and relative humidity levels are recorded and controlled.

Examination and analysis

Before any treatment is carried out the work is carefully examined, and recommendations for treatment are discussed with curatorial colleagues. In the Gallery's conservation studios conservators are able to examine works in infra red and ultra violet light, and also under the stereo microscope. Where necessary they can analyse tiny samples from the paintings to throw light on the materials and techniques used by the artist, or to resolve problems encountered during treatment.

 


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Last modified: 11 September 2009 | Author: Rosalina Banfield | Contact author
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